The Nazis themselves include Eric Portman, icy-eyed and merciless, and Niall MacGinnis, an ordinary soldier who develops qualms. Their party escapes from a crippled submarine and, in the first episode, emerges near a far northern Hudson's Bay outpost manned by Finlay Currie and playing host to Laurence Olivier, in one of his brilliant early performances as a jolly French Canadian trapper who -- at first -- doesn't see why the war in Europe should affect him. Eventually the Nazis brutally demonstrate their ruthless contempt for anyone standing in their way.
|Johnny the trapper debates with the Nazi leader|
|The leader addresses the Hutterites|
With each encounter with groups of representative Canadians, the Nazi contingent loses a few soldiers; by the last episode, only one remains -- Eric Portman, the most dedicated and pitiless. He scrambles aboard a boxcar on a train about to cross into the US, and meets a deserting Canadian soldier (Raymond Massey, in a refreshingly non-starchy role). As he has done every time, first Portman tries to convert the disaffected Canadian, insinuating that democracy has failed, and he would be better off under Nazi rule in any event. Unfortunately for the Nazi cause, it turns out that the reason the soldier deserted was that he hasn't been sent overseas to fight soon enough to suit him.
This film is so well thought out, so intelligently structured, that it never really gets old, even though obviously the problem it was intended to solve -- getting the US to join the war against Naziism -- is long gone and forgotten. But the script is so engaging, and the performers uniformly so superb, that it's really endlessly enjoyable.
49th Parallel is available on Amazon Prime and there's also a beautiful Criterion Collection release.